The most sought-out item is one that only just arrived online.
Last year, shoppers logged on to Reformation’s store and searched for bags more than any other new category. Models sometimes carry top-handle bags and mini totes in e-commerce imagery, but those are anonymous, uncredited props instead of shoppable merchandise to complete a look. This month, Reformation finally has an answer to the implicit question in all those searches: where are the bags? The brand is releasing its — two shoulder bags and one tote, ranging from £278 to £560 — on 24 April. Camila Morrone of Daisy Jones & The Six, who previously modeled for Reformation’s online store in 2014, poses with the new designs in a coinciding campaign.
Morrone insists that the editorial is also reflective of her own personal style. “I am inherently an on-the-go type of gal, and this campaign is all about keeping your shit together,” she says. “That’s how I wear my bags. They’re designed for everyday use — and keeping things cute — while going from home to set to running errands to a night out.”
The bags are low-key yet highly luxurious, clearly made with “on-the-go gals” like Morrone in mind. There’s the sculptural top-handle bag that folds inward to create a wristlet evoking the shape of a fortune cookie. The shoulder bag features a curved base and Goldilocks proportions — not too big to qualify as a tote, not too small to fit more than a lip gloss. The third bag, a capacious not tote with tied handles called impressive storage without losing any of its structure. Borenstein joked that had time allowed, she would have validated the bag’s dimensions by carrying her four-year-old daughter inside it.
Totes and shoulder bags that could equally complement the label’s matching linen sets, vintage-inspired denim, and party dresses were always on Reformation’s vision board; shopper pleas for a collection have stacked up in a steady crescendo over the years. The brand’s first attempts to design an, however, weren’t “compelling” enough to reach production, the executive said. “There weren’t enough people who were like, ‘Yes, I’m buying it.’ We stopped that round of designs and we started from scratch to make sure we really had the right product.”
As Reformation shoppers “begged” for bags, the design team got to work on a laborious re-design process. The brand prioritized getting the product exactly right over a hasty rollout to meet demand, Borenstein explained, building a new supply chain in Europe where the brand can track and monitor 100 percent of its leather sourcing and production channels.
The final silhouettes arriving next week were elected to the offices of the first Reformation bags by its employees who voted on their favorites at several points in the development process. Borenstein says the latest ballots within the office have been a near-even split between the Vittoria tote and the convertible Chiara bag.
While the first collection includes flashes of metallic and peony pink leather, Reformation ultimately wanted its bags to look like something an early career Kate Moss would carry. Minimalist references from the ’90s covered the brand’s inspiration boards, and have manifested in the line-up’s largely neutral palette, and logo- and hardware-free pieces. The era, “was a bit more about the key silhouette and less about all the adornment,” Borenstein said.
“This is something we want to be able to live for a very long time,” Borenstein explained of the look. If a Reformation shopper ever wants to move on from the original bags, they’re fully recyclable. But, given the slow and steady care poured into the first collection, they might be exactly what the brand’s closest followers were searching for all along.
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